It saddens me to think of how many vintage pulp paperbacks I had in my collection, hundreds at least, and many of them first printings with covers rendered by some of the most recognizable artists of that era. From Raymond Chandler to James M. Cain to Cornell Woolrich to Dash Hammet to Paul Cain to Jim Thompson and others. This included a variety of boddice rippers, as well as vintage 40s-era editions from the likes of Georges Simenon, and Kenneth Fearing.
What I have left to share here is paltry, but these four represent a couple masters of the genre in Erle Stanly Gardner, creator of Perry Mason who also wrote as A.A. Fair, and the British maven, Margery Allingham who created Albert Campion, and had a knack for penning some clever titles from the period I think of as the height of the locked room British detective story which gave us such talented women writers as Dorothy Sayers, Josephine Tey, the New Zealander Ngaio Marsh, Agatha Christie and, a little later on, P.D. James, and so many more.
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