The Battle Of Bennington
In the American Revolution, one of the turning points was the defeat of British General John Burgoyne at Saratoga by Colonial forces. One of the elements of that conflict was that Burgoyne sent Lieutenant Colonel Friedrich Baum, and his forces to Bennington to attack a poorly defended Colonial stores and Burgoyne would have supplies for his forces. Baum failed. The stores were guarded by about 1,500 militia men about whom Burgoyne and Baum were not aware. Ethan Allen and his troops from Bennington engaged Baum’s troops and killed or captured about 1,000 of them. Baum himself was among the dead. The conflict has gone down in history as “The Battle of Bennington,” which has sparked local conflict.
Bennington has the tall Bennington Monument which is to celebrate the battle, it has the Battle Day Parade, every August to mark the anniversary of the battle, and then of course there is the name, “The Battle of Bennington.” People across the line in New York tend to refer to it as “The Battle for Bennington,” in an unsuccessful bid to get some recognition.
Barbara Brown Brenenstuhl
However, in all the confusion, no one saw what happened to him. The other soldiers, all children like he was, returned to base and assumed John Browe had been taken to the hospital. The state police assumed he had returned to base. The Army, when he had not shown up for several days, declared him absent without leave. Barbara, who would get weekly calls from him, was concerned and she knew something had happened.
She had married Clark Brenenstuhl and they had a small farm. Barbara was a short woman to begin with and this seemed to shrink her more. She remembered me from her courtship with John’s father, and she knew I worked at a local paper, so she called for help. I hectored the state police and the Army and I think it was a combination of the persistence of a grieving mother and the fluttering fear of any military careerist of unfavorable publicity that forced the state police to go back out to the bridge and after some searching underneath it they found John’s body, dead of a fractured skull and severe internal injuries.
When Barbara first called the Army and the state police and the newspaper, I think she knew what the result would be, that it was all aimed at recovery and not rescue and I think for those several weeks she and I were in frequent contact, she knew John was gone, but as long as no one said it out loud she could hold it together, chasing after a slender wisp of hope that dissipated more each day until it was gone and there was nothing to hold on to but a cold reality that gave no succor.
I don’t think I saw her again after that affair. I do know that she died at age fifty-nine in 2006, in January, the same month in which her son died eighteen years earlier.
White Creek had several famous people and got accustomed to it. One of the most famous was Grandma Moses, a ‘primitive’ artist.
Grandma Moses
Hortense Calisher, a well-known New York writer, had a house there, as did Duane Michaels, a popular photographer, also from New York City.
There were others, who were famous elsewhere, such as Bob Epstein, a sculptor of strange creatures, popular in Philadelphia and Washington, D.C. Norman Rockwell spent many years living in nearby Arlington, Vermont, and my friend Tim used to tell his girls, who were raised up in Cambridge, New York, that they lived halfway between Grandma Moses and Norman Rockwell.
These people were known in town, but not ‘famous,’ only Bob or
Hortense or Duane, people who could make good money for their art or their
creations, but who when there were just folks.
North Hoosick, New York, has one of the few drive in theaters
left in the state. It is still running, celebrating its seventy-fifth
anniversary. When we were teen-agers, before we had cars, we were walk-ins,
carrying a blanket to lie on and under which to hide the beer. The walk-ins
would park in the first two rows that were too close for the cars. And we would
look up at this enormous screen and watch spaghetti westerns and James Bond
films and luxuriate to the music of Ennio Morricone and John Barry over cheap
speakers under the starry sky. Movies were big then, big enough for the
outdoors, not penned up in a theater or a ‘cinema,’ as they were called later.
Hathaway’s screen was framed by the dark night sky and when the camera zoomed in on Lee Van Cleef’s eyes, it was so much bigger than reality. George Lazenby was an impressive James Bond at that size and Once Upon a Time in the West was magnificent, even if we were seeing the short version from which Hollywood had sliced twenty minutes.
And while movies have gotten smaller and smaller and gone from 8 mm reels to VHS tapes and digital video discs and are now streaming so that people watch movies on their telephones, I still often think about that big screen, still out there, still framed against the night sky, caressed by my memory of Lee Van Cleef’s eyes, his face so huge, as was the experience, the way movies, I think, were meant to be, even though the sound was piped in through my car radio.
There is a certain magic in movies under the stars when we could afford cars, and when we met girls, and when the screens were visible through window glass.
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