I shot all of these with film. Some with 35mm, some with medium format with a vintage German-made accordion camera that once belonged to my father. My friend David Wilcox processed and printed the negatives on matte-finish paper. I then paired the prints before I scanned them hoping to get a grainy look and create something both cohesive and ambiguous. My challenge was to not use flash and to shoot as much as possible in low light conditions.
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